Although Kansas City has always been charming, it has been buzzing with a completely different energy in recent weeks. Ted Lasso, Apple TV’s award-winning series, has set up camp throughout the city, turning streets into soundstages thanks to film crews, celebrity sightings, and inquisitive fans. In Season 4, Jason Sudeikis, whose roots are particularly deep in Kansas, has returned home—not for a reunion, but to make Kansas City a central character.
The production is actively honoring a city that influenced the perspective of its lead actor by filming at iconic locations such as Gates Bar-B-Q and the Country Club Plaza, in addition to simply filming scenes. In the current entertainment environment, where authenticity is becoming increasingly valuable, that decision feels especially significant. Ted Lasso captures a dynamic, multi-layered, and emotionally impactful portrayal of Kansas City by embracing reality rather than creating a fake background.
Sudeikis, who is frequently referred to as a native son of Kansas City, is more than just a friendly coach; he is one. His choice to highlight regional treasures such as the Negro Leagues Baseball Museum is a clear indication of his priorities. This goes beyond television. It’s about giving important voices a platform.
Jason Sudeikis – Ted Lasso Bio Table
| Detail | Information |
|---|---|
| Full Name | Daniel Jason Sudeikis |
| Birthplace | Fairfax, Virginia, raised in Overland Park, Kansas |
| Show | Ted Lasso (Apple TV+) |
| Role | Creator, Executive Producer, Lead Actor (Ted Lasso) |
| KC Filming Locations | Country Club Plaza, Gates Bar-B-Q, Blue Springs, NLBM, CPKC Stadium |
| Notable Co-stars Present | Hannah Waddingham, Juno Temple |
| Personal Connection | Graduate of Shawnee Mission West High School |
| Kansas City Tie-In | Features Kansas City landmarks and celebrates local history |
| Reference Website | www.kmbc.com/article/ted-lasso-filming-blue-springs/60938688 |

The lively president of the Negro Leagues Baseball Museum, Bob Kendrick, recently talked about his experience of having the team visit the historic location. He warmly described how an idea was inspired by a fortuitous encounter with Sudeikis in 2022 during the city’s cherished Plaza Lighting Ceremony. That day, both wore KC Monarchs caps—a strange but remarkably symbolic touch. From then on, a discussion about common goals developed into a collaboration that is currently being filmed for the benefit of millions of people.
Kendrick was asked to watch the shoot from the sidelines. Throughout the procedure, he observed a constant feeling of concern. “The dignity, respect, and consideration that went into what I witnessed truly impressed me,” he said. That degree of thought goes far beyond what is typically expected on a busy TV set and is remarkably effective in creating authentic storytelling.
Despite Kendrick’s refusal to make a cameo, the museum is expected to play a big part in the show. The instant he posted a picture of himself with Sudeikis, his social media accounts went viral, demonstrating the intense interest and emotional pull this partnership has generated. This type of exposure is especially helpful for an organization that is currently engaged in a $30 million capital campaign, as it opens doors to new donors, visitors, and discussions.
At Gates BBQ, a similarly significant event was taking place. The combination of slow-smoked brisket and British humor was surprising but very fulfilling. These choices demonstrate an awareness of cultural identity and go beyond simple background shots. In Kansas City, barbecue is more than just food—it’s a tradition, a pride, and a ritual. Ted Lasso leverages a highly effective resource by showcasing it onscreen: genuine local connection.
There was a feeling of celebration as fans lined the sidewalks. The atmosphere was electric, from teens sporting “BELIEVE” t-shirts to senior couples who recall Sudeikis as a high school student. Videos and images from every moment of filming, from Blue Springs neighborhoods to CPKC Stadium, home of the Kansas City Current, were posted on social media platforms, reflecting the excitement.
The city itself was remarkably generous in its response. Locals greeted actors like old friends, gave directions, and cheered in between takes. Kansas City improved the production rather than merely accommodating it. The atmosphere on set was significantly improved by the rare harmony that was created between the community and the production crew as a result of their mutual enthusiasm.
Filming was briefly halted by the weather, but even that seemed to be a part of the narrative. Given how erratic Kansas summers can be, the crew’s flexibility was highlighted when rain postponed the Blue Springs shoot. Instead of leaving, fans waited with umbrellas in hand, excited to be a part of something that obviously meant more than just amusement.
It looks like the entire Ted Lasso chapter set in Kansas City will be a turning point in the show. It signifies a change to narrative that is based on people, places, and reality. The show gains emotional depth as well as visual texture by utilizing these real-life settings.
More sincerity has been demanded by TV viewers in recent years. Engagement is no longer ensured by lavish sets and large budgets. What does it do? Heart. And there’s plenty of that in Kansas City. The show explores what makes locations memorable, both for locals and visitors from afar, from the historical significance of the Negro Leagues to the smoldering counters at Gates.
Kendrick’s statement that he now intends to binge-watch all four seasons was especially endearing. A man who doesn’t often watch TV was enthralled—not by a commercial, but by a heartfelt act of inclusivity. His story exemplifies the wider effect that this project is expected to have: bringing in new Ted Lasso fans and acquainting current ones with the cultural pulse of Kansas City.
The imaginative choice to shoot Season 4 in Kansas City stands out as especially avant-garde as the industry continues to move toward authenticity. It represents a broader trend in which stories are lived rather than merely written. Viewers won’t see fiction when a character eats ribs at Gates or strolls through the Plaza. They will witness history, people, and locations.

